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Similarly, in Japanese director Hirokazu Kore-eda’s Shoplifters (2018) and Like Father, Like Son (2013), the definition of family is pushed even further. Kore-eda explores the concept of chosen families versus biological ties, suggesting that the emotional bonds forged through shared trauma and daily care are often more resilient than those dictated by bloodlines. 3. The Adolescent Perspective: Loss of Agency She was a person trapped by the "wicked"

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Filmmakers are beginning to see that the most compelling stories don't come from villainous step-parents, but from the everyday "relatable chaos" of merging two different lives.